I'm in Vancouver, and using a CPL for street photography does sometimes work out. I'll tell you where I've seen interesting effects with a polarizer: when it's wet. The best solution for street photography is often "no filter" unless you're going for a deliberately distorted look for artistic purposes.įor B&W stock in daylight, maybe do some test rolls with yellow 1 stop, but any effect is very dependent on lighting. I don't know that some filter is going to fundamentally bring street photography to a new level.įilter depends on film stock and lighting conditions. Overall I'm a believer that less is more. Sometimes used on digital to emulate a more film-y look, but you could go crazy with it if you so desired for a really strong look at night. But on B&W it can change the look of a scene, darken a sky etc.Īnother type yet are options like Pro Mist which will bloom highlights. if you're shooting on color film you could do a color grade in post without having to cut available light. You could maybe make the case for a polarizer if you wanted to try to do something with reflections. With that said it's good to understand the tools available in the toolbox. ![]() Start by identifying the need - what's holding back your street photography? ![]() This sounds like a solution in search of a problem.įind the right tool to address a need. And I wanted to invest into buying filters
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